7/3/04

A Brief Demonstration Of Why Everyone Should Buy Glued to the Set

I am watching a bit of the Wimbledon this morning. Maria Sharapova hits a shot that may or may not be legal. Instant replay comes up. Who do I have to thank for this? Some button-pusher in New York? A camerman in London?

Of course not.

It's all thanks to JFK getting his head put in El Paso.

Let me explain.

JFK gets shot. Putting aside the conspiracy theories and all of that, Lee Harvey Oswald shoots him. LHO gets to be a celebrity, in much the way I get to use "to impress Jodie Foster" as a running joke for why I do things. So the media would like an explanation, even when Oswald doesn't say anything. It's pre-CNN--a lot of buildup waiting for actual news.

And then they make actual news (inadvertantly (?)) happen.

Enough pressure is put on the now-harried Dallas P.D. to let them have more access to cover Oswald, in the hopes he'll say something. So they change the time of his being moved. It's in a hallway. All three networks are covering it, though only NBC is doing so live.

Now check this shit: because all this craziness happens, it allows some guy, and since this is America we'll give him a homogonous name like Jack--to shoot Oswald. LIVE. ON NATIONAL TELEVISION. Needless to say...well, hell, and I quote:

Thus television changed history twice on that day--first by literally setting up Ruby with his opportunity, and then providing America with its first dramatic, watch-it-as-it-happens national news event. From Ruby's bullet, to CNN in Baghdad, to O.J.'s Bronco case, the news would never be the same as it sought to capture--and sometimes create--similar events.

SO, once that happens, NBC & CBS have fucked up. Can't interview Oswald--dead. Can't interview Ruby--interrogated. So you know what they did, since all the networks were enjoying rare incest due to the assassination?

They got copies of the shooting from NBC.

And ran them for hours straight. With people to comment on it, and observe from the outside despite having not been there. Sound familiar?

That's about a chapter out of 60 in GttS. And seeing as we all watch TV like good consumerist Americans, you need to read this book. Why should we credit Rod Serling to be the first man to "keep it real"? How the hell did Bob Newhart stay on the air seemingly forever? How come the Cosby Show seems played and yet episodes of Mary Tyler Moore and Dick Van Dyke seem to have that burp that locked in freshness? GttS knows, and it's worth whatever Amazon'll dock you to find out.

Ambient music: Ozzy's "Crazy Train"

No comments: